What factors lead a copyright owner to request removal of potentially infringing user-generated content? So-called “notice-and-takedown” measures are provided in the United States under Section 512 of the U.S. Copyright Act (as amended by the Digital Millennium Copyright Act 1998) and enabled in the European Union under the Directive on Electronic Commerce (2000/31/EC). While the combination of limiting liability (“safe harbor”) and notice-and-takedown procedures was originally conceived as a means of balancing innovation with the interests of rightholders, there has been limited empirical study regarding their effects. This research investigates, for the first time, the factors that motivate takedown of user-generated content by copyright...
This is the third in a sequence of three reports on Parody & Pastiche, commissioned to evaluate poli...
Global platforms such as YouTube, Facebook, Instagram or TikTok live on users ‘freely’ sharing conte...
1. Internet users are governed by — and through — intermediaries. 2. We have no real tools to hold i...
What factors lead a copyright owner to request removal of potentially infringing user-generated cont...
What factors lead a copyright owner to request removal of potentially infringing user-generated cont...
What factors lead a copyright owner to request removal of potentially infringing user-generated cont...
What motivates copyright owners to seek the removal of unauthorised derivative works such as parody ...
This study investigates copyright discourses on YouTube. Through a qualitative content analysis of 1...
Copyright enforcement was one of the early challenges to the rule of law on the internet and has sha...
YouTube has grown exponentially over the past several years. With that growth came unprecedented lev...
This article presents the results of methodological experimentation that utilises machine learning t...
The entertainment industry has a history of framing new technology as piracy that threatens its very...
While copyright legally protects the ownership of created works, fair dealing with copyrighted conte...
This study investigates copyright discourses on YouTube. Through a qualitative content analysis of a...
The changing landscape of digital media technology makes it increasingly difficult for owners of cop...
This is the third in a sequence of three reports on Parody & Pastiche, commissioned to evaluate poli...
Global platforms such as YouTube, Facebook, Instagram or TikTok live on users ‘freely’ sharing conte...
1. Internet users are governed by — and through — intermediaries. 2. We have no real tools to hold i...
What factors lead a copyright owner to request removal of potentially infringing user-generated cont...
What factors lead a copyright owner to request removal of potentially infringing user-generated cont...
What factors lead a copyright owner to request removal of potentially infringing user-generated cont...
What motivates copyright owners to seek the removal of unauthorised derivative works such as parody ...
This study investigates copyright discourses on YouTube. Through a qualitative content analysis of 1...
Copyright enforcement was one of the early challenges to the rule of law on the internet and has sha...
YouTube has grown exponentially over the past several years. With that growth came unprecedented lev...
This article presents the results of methodological experimentation that utilises machine learning t...
The entertainment industry has a history of framing new technology as piracy that threatens its very...
While copyright legally protects the ownership of created works, fair dealing with copyrighted conte...
This study investigates copyright discourses on YouTube. Through a qualitative content analysis of a...
The changing landscape of digital media technology makes it increasingly difficult for owners of cop...
This is the third in a sequence of three reports on Parody & Pastiche, commissioned to evaluate poli...
Global platforms such as YouTube, Facebook, Instagram or TikTok live on users ‘freely’ sharing conte...
1. Internet users are governed by — and through — intermediaries. 2. We have no real tools to hold i...